***
- Interview with Monaco TV, Prof Chris Morash describes his time at the Princess Grace Irish Library as The Ireland Funds Monaco Writer-in-Residence.
"I've been writing a book about literary salons about Irish writers who meet to talk to one another and this is the perfect place to do it. The collection of books here is ideally suited to what I'm writing about. There are first editions by writers like W.B.Yeats, Lady Gregory, Seán O'Casey - just about all the writers I want are in the room around me and it's incredibly inspiring."

Left to right: Georgie Yeats, Jean Hall and William Butler Yeats - a still photo from the short film 'Yeats and Friends at Hotel Gardens Algeciras' (based on their visit to Spain in 1928). W.B. Yeats won the Nobel Prize for Literature in 1923. Yeats was considered a driving force of the Irish Literary Revival or the Celtic Twilight, a late 19th and early 20th-century movement that focused on promoting Irish literature, culture, and national identity. The early literary revival had two geographic centres, in Dublin and in London, and Yeats travelled between the two, writing and organising. Yeats spent the final year of his life on the French Riviera and died in Roquebrune-Cap-Martin in 1939.
Photo Copyright © Ann Saddlemyer
Theme of the lecture
Dublin's lost literary salons
Replay now available HERE
There was a period in Dublin, in the early years of the twentieth century, when it was possible, if one were so inclined, to drop into a literary salon just about every single night of the week. In memoirs and letters, writers such as Lady Gregory, Yeats and George Moore all attest to the value of conversation to their work as writers. And yet, if conversation is important to the writer, it is also the lost part of literary history, the words that materialise in thin air, and disappear as soon as they are spoken. In this talk, we will explore that rich culture of conversation that existed in Dublin’s literary world, uncovering an awareness of differing styles of conversation, and an appreciation of conversation as an art in its own right, the written word’s missing shadow. It is, in short, a talk about talk.

***
The Trustees of the Princess Grace Irish Library are immensely grateful for the bursary programme, which made this lecture possible.
The Ireland Funds Monaco Bursaries were established to enable literary and academic writers born or living on the island of Ireland to pursue a current project during a one-month residency at the Princess Grace Irish Library in Monaco. The Bursaries are aimed at writers who are currently engaged in a work-in-progress which would benefit in some regard from time spent working at the library and access to its collections.
The Ireland Funds Monaco is one of the chapters of The Ireland Funds, a global philanthropic network established in 1976 to promote and support peace, culture, education and community development throughout the island of Ireland, and Irish-related causes around the world. It has benefited the work of thousands of different organisations, with both financial and non-financial support. Today, The Ireland Funds is one of the largest private grant makers for the non-profit sector in Ireland.
***
Professor Morash is The Ireland Funds Monaco Writer-in-Residence at the Princess Grace Irish Library this autumn.
Click HERE or below to enjoy the replay of his lecture.

Left to right: Trustees of the Library and members of The Ireland Funds Monaco: Sile Jackson, Mark Armstrong, Ambassador Anne-Marie Boisbouvier, Professor Chris Morash, Guadalupe Smurfit President of The Ireland Funds Monaco, Ann Morash and Peter K. Murphy.
©Princess Grace Irish Library

***
About the speaker
Professor Chris Morash is the Seamus Heaney Professor of Irish Writing in Trinity College Dublin, ranked #1 in Ireland, where he previously served as the university’s Vice-Provost. He is the author of numerous books on Irish literature and culture, including Writing the Irish Famine (1995), A History of Irish Theatre, 1601-2000 (2002), A History of The Media in Ireland (2009), Mapping Irish Theatre: Theories of Space and Place [with Shaun Richards, 2013), Yeats on Theatre (2019), and most recently, Dublin: A Writer’s City (2023).
He is currently editing The Cambridge History of the Irish Novel (due 2026) and writing a book about Irish literary salons. He is a Member of the Royal Irish Academy and a Fellow of Trinity College Dublin.

During his lecture on 13th November , Prof Chris Morash referred to a selection of books by some of the great Irish writers who participated in the literary salons of the late 19th and early 20th centuries in Dublin and London. Some of the books are rare editions with their original dusk jackets intact - they are part of the collection housed at the Library that the professor is researching for his book.
Lecture: Dublin's lost literary salons
Replay available HERE